Combat! episode reviews by Jo Davidsmeyer
Episodes are rated from 0 to 4 bayonets

(018) The Walking Wounded

Rating: 3 bayonets

First aired: April 30, 1963
Syndication order: 18
Season: One, Episode 30

Written and Directed by: Burt Kennedy
Produced by: Burt Kennedy

Review

"The Walking Wounded" shows us Saunders' almost messianic drive to get those around him to not just live up to their potential but to exceed their own expectations. He demands the best and noblest from everyone--and you damned well earn his ire and his contempt if you don't give it. In "The Walking Wounded" Saunders is at his most evangelical, forcing a trio of broken souls to meet the exacting moral standards of a certain blond buck Sergeant--in the process healing their wounds and allowing them to re-discover their own moral center and inner strength. Walking Wounded is a remarkable piece of theater and a moving morality play. The bulk of the credit for the success of this episode must go to Burt Kennedy, who wrote, directed, and produced the episode.

Director Robert Altman claimed credit for forming the character of the TV series Combat! But I disagree. Altman established the visual look and feel of the show, the style. But I believe we owe the heart and the soul of both Saunders and Combat! to the work of Burt Kennedy. For Altman, Saunders was a living martyr to war--a perpetual victim. It was under Kennedy that Saunders developed the moral integrity, the search for something larger and greater to come out of the tragedy and death that surrounded him. Kennedy's Saunders, even when not in control of his situation, was always in control of his own soul, and ultimately, his own destiny. The three scripts by Kennedy ( "The Walking Wounded," and "Next in Command") deal with the theme of coming to grips with living and dying. The three episodes show soldiers walking the edge, determining for themselves whether they will be destroyed or strengthened by war.

Sometimes it's difficult to adore Saunders. He has an annoying tendency to look at everything in absolutes. He is always certain of his own moral rectitude -- he's right, you're usually wrong, and there's no middle ground. His is a world of moral absolutes, no room for discussion, and he's quick to jump to judgment for those who don't live the gospel according to Saunders. This is certainly behavior I would find annoying in a friend, dangerous in a politician, and socially unacceptable at my dinner table. Worse, he usually knows better than yourself what's right for you. He'll insist you do what's right (by his standards), even if it means risking your life on a hopeless quest. He's an impossible creature! And just the type of man I'd want leading me if I was ordered to take a hill. Certainly the man I'd want to be driving my ambulance when a know-it-all doctor has written me off.

Sorry, I've leapt upon my soapbox again. This has turned more into an essay than a review. Okay, some quick review stuff. The lighting throughout is rich and sumptuous, especially the scene in the hayloft, and on any close-up of Geraldine Brooks. Kennedy films her beautifully, always having a bit of a halo effect about her face--so much so that I found it annoying. About as annoying as the little dog. Saunders is noble enough for four characters in this episode, did he have to prove he's nice to dogs, too?

But those are minor distractions from a powerful and thought- provoking story. Morrow is remarkable in this episode, portraying with an all-consuming tenderness this soldier who possesses a moral code more unwavering than any old testament prophet's. There's no velvet glove on his steel fist, but still he conveys the compassion behind each brutal act of kindness.

Odd notes:

Okay, I understand why the outside of Saunders' pants leg was cut, to access the bullet wound and bandage it. Why was the INSIDE of the pants leg also cut? There's no bandage there. Was Doc getting a bit touchy-feely?
Saunders rolls downhill into barbed-wire and doesn't get any scratches?
how come the burning truck carrying the fuel barrels never explodes?
CONTINUITY: After the driver changes the tire, he gets in the front of the truck with Saunders; next scene Saunders is driving alone.
Call me a curmudgeon, but I hate cute dogs.
Speaking of the cute dog, wasn't it disgustingly adorable when Saunders removed his jacket to cover up the dog at night in the hayloft? But when he wakes in the morning, he's got the jacket on. I guess he must have ripped the coat off the shivering dog's body during the night.
Toward the end of the episode, when Saunders is filling the radiator with water, he complains that "The radiator's all shot up." Duh! Should have thought of that before you sprayed the truck with your Tommy Gun, Sarge.
The driver of the half-track is listed in the credits as "Tanker". Are half-track drivers also referred to as tankers? The major and lieutenant in the jeep both have dialog, but are uncredited.
It begins to rain while Saunders is riding in the ambulance. When he gets out of the ambulance, he is already wet.

Cast Credits

Rick Jason
as Lt. Hanley

Vic Morrow
as Sgt. Saunders

Special Guest Star
Gary Merrill as Capt. August

Co-starring
Geraldine Brooks as Lt. Ann Hunter

Steven Rogers as Doc
Pierre Jalbert as Caje
Dick Peabody as Littlejohn

Steven Joyce .... Jones
George Davis .... Old Frenchman
David Manley .... Tanker
Berkeley Harris .... Pvt. John Lee

Dialog Excerpts